![]() ![]() But our process would be like, ‘OK, let’s talk it through,'” Druckmann said. “Had Craig come and said, ‘Hey, I’ve been thinking about this other ending,’ I’m sure at first I’d tense up a little bit and just hear the pitch. Why would I ever want to change that? It’s awesome.” “But the ending, there was never a question. He understood what adaptation meant,” Mazin said. “Neil, in the smartest, most generous, and flexible way, was always open to the process of adaptation. Discussing how exactly to shape Joel’s decision within the context of an episode of TV became a helpful case study in how the two went about working together. ![]() Mazin emphasized that, as a fan of the original game, the ending was one of the main engines for wanting to make a show in the first place. That’s the brilliance of Gustavo is that sometimes just taking a piece from over here and putting it under this makes magic.”Īs for the content of the ending itself, that was one element of the finale that stayed untouched throughout the process. You’re both rooting for him and you’re also so sad for him. It allowed us to feel almost heartbroken by what Joel was doing and what he was breaking inside of himself and how he was betraying something that he probably knows Ellie wouldn’t want him to do. But here, it is this beautiful, sad, mournful cello-based piece. In the game, that sequence is largely gameplay. “And that was to take a very different piece of music that was meant for what happens right after in the game - which is his picking Ellie up and walking out with her - and taking that and putting that under that sequence. “There was one option that we had that we employed, I think, to great effect during Joel’s attack sequence in the hospital,” Mazin said. Speaking at a virtual press conference last week, series co-creators Druckmann and Craig Mazin spoke about this final episode, including the music-based shift to the season’s emotional climax. Along with fellow composer David Fleming, the music of the series is that same mix of familiar and new that has powered the best parts of the show. In addition to series co-creator Neil Druckmann, Dandridge, and assorted cast members who were involved in the original game over a decade ago, the TV incarnation of “The Last of Us” also brought back composer Gustavo Santaolalla. The 22 Best Nude Scenes in Film, from 'Shortbus' to 'Blue Velvet'Īside from transposing most of the details from a first-person gaming experience to a TV viewing one, the HBO version of “The Last of Us” ending gets one big change, courtesy of a familiar source. Martin Scorsese's Favorite Movies: 58 Films the Director Wants You to See 'The Last of Us' Showrunner Craig Mazin Warns 'Terrifying' Cordyceps Fungus Is a 'Real' Threat 'Succession' Season 4 Review: HBO's Singular Final Season Will Annihilate You ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |